แนวทางในการอนุรักษ์การแสดงมะโย่งในพื้นที่จังหวัดชายแดนภาคใต้

Abstract

This research aimed to study the situation and context in the display of mangs in Southern border provinces area and study guidelines for the conservation of malong shows in the southern border provinces It is a qualitative study. Data collection methods were used by semi-structured interviews with the main informantincluding actor Mayong the scholars promote the local culture religious leader, philosopher, villager and the heir of actor Mayong. The data were analyzed by analyzing the content by using logic to compare the concepts, theories and research together with the context. The research results are as follows 1. The current research was aimed at exploring the situation and context of Mak Yong performance in the areas of southern border provinces of Thailand.This qualitative research investigated the 6 popular Mak Yong performers in the areas. A semi-structure interview form was used as a tool to conduct phenomenological research seeking to understand the situation occurred. The results suggested that Mak Yong performance in these southern border provinces currently remains in Pattani, Yala, and Narathiwat provinces. Four ensembles were found to continue their performance. Today, the performance is of 2 types, namely: 1) performance for entertainment in festive events; and 2) performance for ritual events.The phenomenon happened in the areas of Mak Yong performance, the approach of globalization trend, and the address of religious principles gave rise to limitations that resulted in the gradual decline of Mak Yong performance. As the modern society offered people’s diverse choices for their pleasure, traditional arts and cultures became deprived of support and audiences.Moreover, violence and insurgency also impacted on the change of people’s way of life in these areas.